![]() As you expand your knowledge of magic in the domain of death, you will raise loyal followers from the corpses of your enemies. The second stretch goal works much like the first, committing us to releasing a big free update for all players, but instead of playing as a wizard who has been cast out through no fault of their own, this time you've decided to become a student of the dark arts of necromancy in search of the ultimate goal - immortality. Perhaps you'll take your revenge upon those who cast you out in the first place? Once you've secured your hideout, adventure out into the world hunting for tomes of magical knowledge to extend your power and abilities. You'll want to build a defensible lair using the muscle of magically-created golems, placing traps and magical defenses for any foolish adventurers or mage-hunters coming for your loot or life. Magic is dangerous in the world of King under the Mountain and as a result you've been cast out of your society to fend for yourself against a hostile world. If we reach £35,000, we'll commit to releasing a free expansion for everyone which will add playing as an outcast wizard or warlock (effectively another "race" option). We've just unveiled the following stretch goals: So even after hitting the goal the campaign is keeping up a decent momentum. You develop and build up over time, until you're managing a huge fully-functioning society with its own economy and industry.Īnd here's how the current trend from Kicktraq is looking: Hi, I'm Ross and I'm the sole developer of King under the Mountain, a simulation-based strategy game inspired by Dwarf Fortress, Dungeon Keeper and The Settlers, with the visual style of Prison Architect and Rimworld. You play as one of several different races with their own challenges and playstyles (currently only dwarves are in the prototype but at least playable orcs and humans are planned) and set out to found a new colony with a small group of settlers and starting supplies. 34 Long Covid Is Real Nina Flanagan reports on the challenging road to recovery for. If you've not been following us so far, King under the Mountain is a simulation-based settlement-building strategy/management game set in a fantasy world. The Shawangunk Ridge is home to some of the best rock climbing in the Northeast, and getting started isn’t hard. ![]() The Kickstarter campaign for King under the Mountain has sailed past it's funding goal in just 4 days!
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Wd is the default weight decay used when training the model moms, the default momentums used in Learner.fit_one_cycle. Make sure you can write in path/model_dir! Often path will be inferred from dls, but you can override it or pass a Path object to model_dir. Path and model_dir are used to save and/or load models. Metrics is an optional list of metrics, that can be either functions or Metrics (see below). At creation, all the callbacks in defaults.callbacks ( TrainEvalCallback, Recorder and ProgressCallback) are associated to the Learner. Each Callback is registered as an attribute of Learner (with camel case). Callbacks are used for every tweak of the training loop. The default is trainable_params, which returns all trainable parameters of the model.Ĭbs is one or a list of Callbacks to pass to the Learner. splitter is a function that takes self.model and returns a list of parameter groups (or just one parameter group if there are no different parameter groups). Opt_func will be used to create an optimizer when Learner.fit is called, with lr as a default learning rate. Group together a model, some dls and a loss_func to handle training Source SkipToEpoch SkipToEpoch (epoch:int) You can pass in other kwargs to torch.load through torch_load_kwargs. If strict is True, the file must exactly contain weights for every parameter key in model, if strict is False, only the keys that are in the saved model are loaded in model. ![]() If a device is passed, the model is loaded on it, otherwise it’s loaded on the CPU. ![]() ![]() Load model from file along with opt (if available, and if with_opt)įile can be a Path object, a string or an opened file object. Source load_model load_model (file, model, opt, with_opt=True, device=None, strict=True, pickle_protocol and torch_save_kwargs is passed along to torch.save Save model to file along with opt (if available, and if with_opt)įile can be a Path object, a string or an opened file object. Source save_model save_model (file, model, opt, with_opt=True, pickle_protocol=2, See the class Metric below for more information. Class _A: def _init_( self, a): self.a = a def a_changed( self, v): return replacing_yield( self, 'a', v) a = _A( 42) with a.a_changed( 32): test_eq(a.a, 32) test_eq(a.a, 42)Ĭonvert m to an AvgMetric, unless it’s already a Metric ![]() Play it on: PC, Xbox One and Xbox Series X (via backwards compatibility) 7. You can high-five your friend, play rock paper scissors or, if you’re feeling evil, dunk them into deadly goo by pulling a bridge up from under their feet. On top of those puzzles is a layer of Valve’s unmistakable humour, and GLaDOS (remember her?) is once again the star. ![]() It makes communication vital, and each puzzle all-the-more rewarding to solve. If one player jumps a split second early, or activates a button too late, the whole plan falls apart. Not only will you and a friend, who each control a loveable robot, have to put your heads together to figure out how to finish a test chamber, but you’ll often have to time your movements and actions just right. The co-op campaign is a noticeable jump in difficulty from the already fiendish original. If you have a desktop or laptop that can run it (and most can), and a friend that can do the same, then you’re in for one of the best co-op experiences of your life. Right now, you can only play Portal 2 on PC, but don’t hold that against it. If it were playable on current-gen consoles, Portal 2 would likely top this list. Play it on: PC, PS4, PS VR, Oculus Rift, HTC Vive, Nintendo Switch, PS5, Xbox Series X 22. It's a great piece of teamwork, and a word of warning, may ruin families. Plus, it's now on Switch, so one of you will have the console in your hands, the other the instruction manual. It's brilliant fun, and a perfect party game. It's all set to a time limit to add tension, and bombs get increasingly tricky to dismantle as you play. ![]() actually talking to each other and cooperating. The idea is to use the bomb disposal docs to defuse the device by. The person inside the VR headset sees a briefcase with a bomb in it, and various devices to disarm, which he/she describes to the people in the real world. One person wears the VR headset, while a number of other people sit - in the real world - and look at a booklet of bomb-defusal documents. However, it's a uniquely brilliant take on co-op play, and demands your attention. Unless you've invested in a VR headset, you probably haven't even heard of this one. ![]() ![]() Shape of the LFO is a kind of smoothed sample&hold, pseudo random. If you like) feeding into each-other, each delay line is modulated by a LFO, the The delay matrix is made of three delay lines (comb filters Currently there's no visible distinction betweenįactory banks and User banks in the menu, so we suggest that you name your subfolders like You are allowed to arrange the "User" presets in subfolders, the subfolders name Note that you can also rename a preset by opening its YAML files in any text editor.įor consistency you may also like to rename the YAML file with the same new name. The presets you add there will be showed in the pug-in presets menu on the ToolBar, after you have selected "User Presets" in the banks menu, on the left. There you can add or delete the YAML preset files. Had you done that, the Explorer (on Windows), or the Finder (on Mac), will open the "User" presets folder. Open that by clicking on the |?| at the top left of the GUI and choose "explore users presets". To explore the "User" folder, when you need to add or delete User presets files, you must use the relative item in the Options menu. The presets are saved individually in human readable files with. The GUI functions allows you to load any preset, but to save and overwrite There are two main groups of presets, the "Factory" ones and the "User" ones. Moreover, the preset names can support the complete international character set. The preset system is cross-platform, the files use the YAML format so they are very easy to read and edit if needed. Therefore, hopefully, you don't need to read a lengthy manual to learn what a knob or a slider is for. And eight colour schemes are available to fit your mood and taste.Īn extended Tool-tip display provides information for each control at mouse-over. The GUI is fully drawn by vectors and resizeable, featuring an oscilloscope and peak meters. Those envelopes are routable (used to modulate) to various targets, this should be clear on the GUI, as they are 'env 1' and 'env 2'. The ADSR envelopes are loopable: two, three or continuous repeats. The output of each voice is stereo via the delay matrix, which features a stereo spread knob. The oscillator is anti-aliased and can play eight voices or mono, and features octave and fine pitch controls. Microtuning (per octave) editable on GUI.MIDI controls : pitch-bend 24 st range, assignable modWheel (CC1), assignable aftertouch, assignable keytracking.Effects : # saturation limiter combo ('sat lim') to emulate amp high gain, # 'echobis' a double delay effect with sync to time and pitch functions, # reverb in two flavors.Custom equalizer : HP, Notch, LP, Hi boost :to shape the timbre before the effects sections.Three envelope (2 x ADSR, 1 x AR) and two LFOs.Polyphonic delay matrix, a highly configurable feedback delay network (FDN) featuring three delay lines per voice.Main subtractive filter (VCF), plug a fixed HP pre-filter and bit depth reduction. ![]()
![]() To work on tethering mode, you need it and a repeater. Accessories: With this sale, one set of battery and charger for the digital back, one CF card and one Camera-to-Back Sync cable for Hasselblad are offered, in order you can start using this medium format back as soon as you get it. LCD still has original covering film on and the touch screen's response is accurate. The IR cut filter is definitely scratch-free. In principle, the CCD can last for a long long time under proper maintenance. But I don't think this number matters at all. The CCD sensor part has been professionally maintained, and is now super clean. Now in excellent cosmetic and proper working condition. So far, I have used ScanDisk Extreme III 2.0GB, ScanDisk Extreme 8GB, and Lexar UDMA 1066X 128GB CF card on this back. Data transferring: Firewire 800 tethering worked great even on my very old iMac. Probably you noticed the return won't be acceptable. I think neither you nor I want to experience the disappointment brought about by the mismatch, and at the same time make this beautiful digital back experience unnecessary risks. To make sure that the Leaf Aptus II digital back can be used on your camera. In principle, with proper adaptors it suppose to work with many different medium and large format cameras.īut, if you want to use this 12R on your camera which is not 5xx series, I do recommend you. It worked very well on my Hasselblad 503CW (not included in this sale). So, you don't need to unmount the digital back from camera with risking dust. The Leaf Aptus 12R has a internal rotating sensor, which allows your switching orientation between the landscape and the portrait, by simply turning sensor rotation dial. This sale is for a medium format digital back, Leaf Aptus II 12R. The 28 on the Aptus II 10 works very well with the LCC and center filter for quite a lot of movement.Leaf Aptus II 12R digital back for Hasselblad V mount camera ![]() If I can't shift more than 3-5mm then I will likely sell it for a Rodenstock 40. I will test the 28 with the Credo 80 and see how well the latest LCC does in Capture One. Will be at Capture integration in Atlanta on Thursday to pick up the Credo. On a shoot in Orlando photographing a hospital. I added a Schneider 120mm apo also with a tilt swing but hadn't used it yet waiting on the Credo. You can see many examples on my website at williamsonimages dot com under the architecture / interiors / and landscapes sections. So go test one or look at some good files. Beautiful leaf color and everything you expect from a high dollar back. I'm not an engineer and really don't care about this - but I can tell you that the image quality was stellar with this combo. I was told by a Leaf / Phase rep that even the newest sensors have a 'small' amount of "micro lens" in the their design so the 10 is a bit unique. I was told that the Aptus II 10 sensor design was one of Two designs that did not have ANY use of micro lenses at all. The 60 had the tilt swing mount from cambo. Lenses were primarily the Schneider 28mm apo super digitar XL (no need for me to stitch with that one) and a Schneider 60mm apo XL which I stitched with a lot at full available movement. The Aptus lived on my Cambo and covered 20,000 frames, outdoors, over several years - it was totally bulletproof. I just parted with my Aptus II 10 for a new Leaf Credo 80. I originally was looking at a IQ260, but there's quite a big chunk of money separating the two. That will buy me a tiny bit more exposure at dawn/dusk but does it has any impact on the smoothness of the files as well? I really like what ISO 50 looks like on the 7.Īny imput is most welcome, would also love to see pics shot with the Aptus-II 10. The Aptus-II 7 has a base ISO of 50 where the Aptus-II 10 has a base ISO of 80. The 24XL obviously must go and I'm thinking of replacing the 35XL and 47XL with Rodie 40 HR and SK60XL. I use a Cambo WRS and my lens arsenal right now is SK24XL, SK35XL, SK47XL, and SK120 Aspheric. To start with I didn't like the 3.1:2 ratio but the more I have thought about it it actually makes some sense in regards to my shooting style. I primarily shoot landscape and do quite a bit of flat stitching and can see my self using it for panoramas (left/right shift) as well as stitching for 4:3 or 4:5 ratios using fall/rise. I'm contemplating upgrading my Aptus-II 7 to a Aptus-II 10 and have been searching the net for hands on experience using it on a tech cam, but nothing really comes up. Generating vertex color/weights gradients for mesh ribbons.Curve Resampling - increase, decrease curve/ribbon points count.convert Curves to Particle Hair, Particle Hair to curve ribbons, Curve ribbons to mesh ribbons and so on. ![]() adjust ribbons looks (tapering radius, randomizing tilt, editing profile).easy and convenient switching back and forth between curve ribbons and mesh, while preserving uv's.uv texture preview directly on curve ribbons.automated uv (random uv area is assigned for each spline).learn and quickly block out hair from Hair Library examples.drawing curve hair (or particle hair) on mesh surfaces.generate hair ribbons from guide grid mesh.generate and groom hair ribbons (based on blender particle hair).This addon will help you generate hair card with uv's and much more: Hair Tool is Blender addon for creating hair cards based on 3d curves. You’ll see several different options for your saving destination, followed by a prompt to name your file and choose your preferred format.Hair Tool 2 (for Blender 2.93 and above) ¶ You just started and you’re almost done! When you’re happy with the results click the Apply button, then check out the rest of the Photo Editor to see if there are any other adjustments you’d like to make.Īfter you have your image just the way you want, click the Save menu at the top of the screen to save. Use the strength, size, and hardness tools to adjust the eraser brush. This gives you a super refined and realistic look. If you go outside the lines a bit, use the Erase brush in the top left corner of the menu to remove any extra color. Use the brush tool to go over your subject several times until you get your desired look. Then, click and hold your cursor and move it across your subject’s hair to apply the color. Once you have your color selected, use the settings menu to change your brush size, hardness, and the strength that you want the color applied. Step 3: Adjust Your Brush Settings and Start Painting If you find a color you really like, you can click the + sign to add it to your Library for easy access. If you want to pick your own, click the first box in the Color Palette to access the Color Picker. By default, there are a few natural preset swatches in the Color Palette. Once in the Touch Up, click on Hair Color under the Miscellaneous menu. Step 2: Locate the Hair Color Tool and Pick a Color From there, you can simply drag your photo to the canvas and get started. Similarly, you can head directly to the Touch Up tab by clicking this link. You can either use the Image Manager to upload a photo, or drag it directly to the canvas. ![]() To get your images into BeFunky, head to the Photo Editor. Now that you have some ideas on how to use this fun tool, try it out for yourself by following along with this short tutorial. You could even print out or save your results to take to the salon so your stylist knows exactly what you’re looking for! Here are three of the best ways to use this handy tool: Test Out a New Lookĭramatic shifts in hair color can be a big commitment for anyone! Whether you’re going straight to the salon or trying out a DIY version with boxed dye, skip the long, arduous process by getting a sample of what your vision really looks like. ![]() At least not before you’ve tested it out! Whether you’re using the several natural preset colors or going for a dramatic look, the Hair Color tool lets you paint color onto your subject in a realistic way. What You Can Do With the Hair Color Tool?Ĭhanging your hair color shouldn’t have to be a time-intensive process that you spend hours on in the salon. No need for a botched boxed hair dye job when you have the tools to change your look with just a few clicks. Try out new hair colors virtually with the BeFunky Hair Color tool! This handy tool within the BeFunky Photo Editor can detect hair colors surrounding the face of a subject and apply any color of the rainbow you desire. Have you ever wanted to try on a new hair color without an expensive trip to the salon? Maybe you’re exploring a new look or want to get your friend’s input on how the latest hair color trends look on you but aren’t quite ready to make the commitment? Lucky for you, BeFunky has an app for just that! ![]() Similarly, after all the holiday parties end (and excluding spring break), you’ll find late winter and spring to be the emptiest. (Yes, people do bring kids to Sin City and there are plenty of activities in Las Vegas for families.) In the fall, when school is back in session, there are fewer tourists. (Photo by Dennis Hohl/EyeEm/Getty Images) Best times to visit to avoid the crowdsĬontrary to what you might expect, you'll probably find the lightest crowds during the months with the best weather. Likewise, steer clear of July and August to avoid the hottest days. Avoid January, February and December when the coldest weather is most likely. Related: 10 things no one tells you about Las Vegasįor the best weather, head to Las Vegas in March, April, October or November, when temperatures range around a pleasant 50-80 degrees Fahrenheit. However, you’ll still need to venture outside every once in a while. Luckily, some of the hotels are connected by indoor walkways to protect you from the elements. ![]() In the winter, temperatures can plummet below freezing, which makes the outdoor walk equally unappealing. The average high in summer soars above 100 degrees Fahrenheit, which means that walking down The Strip becomes a sweaty chore and heat stroke can be a real possibility. Temperatures in Las Vegas can swing wildly, depending on the time of year you visit. We’ll walk you through the best times to plan your trip to Sin City, whether you’re looking for the best weather, the splashiest events or the fewest crowds.įor more TPG news delivered each morning to your inbox, sign up for our daily newsletter. Still, there are some times that are better than others to visit, especially since the city sits in the middle of the Nevada desert and temperatures can range from one extreme to another. Sun-protective clothing, a long-sleeved shirt and pants, a wide-brimmed hat, and UVA and UVB-blocking sunglasses are particularly helpful in blocking UV radiation's harmful effects.When isn't it a good time to visit Las Vegas? It's a tough question, as Las Vegas is vibrant and lively 24 hours a day, seven days a week, 365 days a year. To the extent possible, limit exposure to the direct sun during these hours. The Sun's UV radiation is most powerful between 10 a.m. Protection against skin and eye damage is required. Take precautions and utilize sun safety practices. Note: The daily maximum UV index of 7 in August interpret into the following advice: A UV Index of 6 to 7 symbolizes a high health vulnerability from unprotected exposure to Sun's UV rays for ordinary individuals. UV indexIn Las Vegas, Nevada, the average daily maximum UV index in August is 7. SunshineThe month with the most sunshine is August, with an average of 12.2h of sunshine. On the last day of August, sunrise is at 6:11 am and sunset at 7:10 pm PDT. On the first day of the month, sunrise is at 5:47 am and sunset at 7:46 pm. DaylightThe average length of the day in August is 13h and 29min. ![]() Snowfall March through November are months without snowfall in Las Vegas. Throughout the year, there are 57.5 rainfall days, and 6.02" (153mm) of precipitation is accumulated. Rainfall In Las Vegas, during August, the rain falls for 5.9 days and regularly aggregates up to 0.83" (21mm) of precipitation. HumidityThe average relative humidity in August is 22%. In August, in Las Vegas, the average low-temperature is 77.2☏ (25.1☌). TemperatureIn Las Vegas, Nevada, the average high-temperature in August is essentially the same as in July - a still sweltering 95.9☏ (35.5☌). The last month of the summer, August, is also a sweltering month in Las Vegas, Nevada, with temperature in the range of an average high of 95.9☏ (35.5☌) and an average low of 77.2☏ (25.1☌).
![]() I should have been a pair of ragged claws Of lonely men in shirt-sleeves, leaning out of windows? … Shall I say, I have gone at dusk through narrow streetsĪnd watched the smoke that rises from the pipes To spit out all the butt-ends of my days and ways?Īnd I have known the arms already, known them all-Īrms that are braceleted and white and bareĪrms that lie along a table, or wrap about a shawl. When I am pinned and wriggling on the wall, The eyes that fix you in a formulated phrase,Īnd when I am formulated, sprawling on a pin, I know the voices dying with a dying fallĪnd I have known the eyes already, known them all. I have measured out my life with coffee spoons Have known the evenings, mornings, afternoons, ![]() My necktie rich and modest, but asserted by a simple pin-įor decisions and revisions which a minute will reverse.įor I have known them all already, known them all. My morning coat, my collar mounting firmly to the chin, With a bald spot in the middle of my hair. To wonder, "Do I dare?" and, "Do I dare?" That lift and drop a question on your plate To prepare a face to meet the faces that you meet Īnd time for all the works and days of hands Slipped by the terrace, made a sudden leap,Īnd seeing that it was a soft October night,Ĭurled once about the house, and fell asleep.įor the yellow smoke that slides along the street, Let fall upon its back the soot that falls from chimneys, Lingered upon the pools that stand in drains, Licked its tongue into the corners of the evening, The yellow smoke that rubs its muzzle on the window-panes The yellow fog that rubs its back upon the window-panes, Streets that follow like a tedious argument Of restless nights in one-night cheap hotelsĪnd sawdust restaurants with oyster-shells: Let us go, through certain half-deserted streets, When the evening is spread out against the sky |